1,183 Royalty-Free Audio Tracks for "Multi Chord"

Elektra chord: E B Db F Ab.

Dominant seventh in C in first inversion

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

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Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

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Engine control unit raspberry pi operating system hadata fraser lens hexa iso synchronous channel multi carb track navigator data analyzer fluid stream efficiency electric whirlpool hydrodynamic atv battery multiplexer jitter.

Engine control unit raspberry pi operating system hadata fraser lens hexa iso synchronous channel multi carb track navigator data analyzer fluid stream efficiency electric whirlpool hydrodynamic atv battery multiplexer jitter.

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bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Eb major triad, MIDI file

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

This is a piece of music i made in fl studio. The hits are really hard so you may want to turn down your volume a bit.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

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Three different sounds i have recorded, played together in a software sampelplayer. Sounds recorded with zoom h1.

Just major seventh chord on C (8:10:12:15).

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Violoncello chord on G

Created using Sibelius.

Minor triad on C

C-F-B Synthetic chord

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Tonic and dominant in C. C major and G major chords.